Clerkmanifesto is going context free for 100 days!
While I retire from 31 years at the Roseville Library, sell nearly everything I own, fly with my darling wife to Japan for 40 days, and then move together to France to start to build a life there, I present a less explained clerkmanifesto, a clerkmanifesto of snapshots and time travel. Below you may see old posts without introduction from my 4,750 post collection. You may see random photos, brand new or years old. I may write a passage about Japan as if of course you know I'm in Japan, I may make a simple observation or joke, but whatever it is, I won't be explaining it. You'll have to take it as it comes.
For more context you are welcome to read this longer introduction.
And if this is all too confusing I welcome you to investigate our thousands of fully explained historic posts from the past 12 years, though I'll be the first to admit, hours later, you may still come away a little confused.
Here, however it works, is what clerkmanifesto has for you today:
Here is another old image made from the last item I had of a set of bugheart themed cards I made long ago for... something. I don't even know what, but I found the image as we cleaned out all of our possessions as part of leaving... everything.
This was a more simple design, and I decided to run it through the AI machine. It took more effort than I thought it would and eventually I worked it up into the faux museum poster design you see below. I think I would put the AI alteration level here at a 7 out of 10.
It turns out there are two slightly different versions of the design:
And then a couple iterations of the image:
Seeing as I’m not pulling out my computer—and finding any kind of typing on my phone to be laborious—let this serve as a reusable introduction for the photographs below.
As you can see, this content is being presented more or less in real time, making it a kind of bonus post for today. It actually follows me as I am here in Japan—specifically, in Kyoto.
I’d like to say that Kyoto is bewildering, sweltering, beautiful, and complicated. I’m on a strict routine of taking only a few photographs at specific times of day, then layering them with various edits when I’m lying around recovering at our house in a quiet Kyoto neighborhood.
So here are some of my recent pictures—with little or no commentary, because typing on this thing is too much. Let them stand in as my notes on my darling wife and me being in Kyoto.