We have returned to something like home after finding a city we adored but where we could not manage to find an apartment to rent, at least as of yet. Our search will carry on remotely for now while we perhaps start to ramp up a personal campaign to love where we are a little bit more? After all, this may be it.
Along with many things to be discussed further, I not least come back with a phone stuffed full of photographs of where we've been for eleven days. I have been posting some of these over the last week, while I was on the road, and I would say that I was fishing (pun intended, um, you know, because several of the pictures were of fish) for a new style to convey my feelings about that extraordinary ordinary French city. I feel this flailing search produced some middling results over the past couple of days here, but working on a phone it was harder for me to see how they were coming up short.
Fortunately, we went to an absolutely fantastic contemporary museum that was in our neighborhood there, and the wonderful main exhibit was all in green light, from where the artist drew much of its power, and it was huge and immersive, making great use of the brilliant architecture that is all over that city and where the museum was set. Apparently this inspiration was what I needed to kick off some relatively simple ideas about colors that have unleashed a new wave of image modulations that while surprisingly minimal, are exactly the thing I was looking for but didn't know I was looking for.
Before we get probably too far into all that, I will show you the images that started me down the road and let that be enough for today, an introduction of sorts. To give a fair sense of the space I drew from, I am inclined to tell you that these images are mostly only altered in the selective changing of elements to red:
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